Has estado mirando las pinturas, los pinceles, l
a página en blanco, preguntándote si eres “lo suficientemente bueno” para empezar.
Has estado mirando las pinturas, los pinceles, l
a página en blanco, preguntándote si eres “lo suficientemente bueno” para empezar.
Has estado mirando las pinturas, los pinceles, l
a página en blanco, preguntándote si eres “lo suficientemente bueno” para empezar.
Empieza a hacer arte desde el primer día
Empieza a hacer arte desde el primer día
Empieza a hacer arte desde el primer día
Empieza a hacer arte desde el primer día
Empieza a hacer arte desde el primer día
Empieza a hacer arte desde el primer día
Empieza a hacer arte desde el primer día
Empieza a hacer arte desde el primer día
Empieza a hacer arte desde el primer día
Empieza a hacer arte desde el primer día
Empieza a hacer arte desde el primer día
Empieza a hacer arte desde el primer día
Empieza a hacer arte desde el primer día
Empieza a hacer arte desde el primer día
Has estado mirando las pinturas, los pinceles, l
a página en blanco, preguntándote si eres “lo suficientemente bueno” para empezar.
Has estado mirando las pinturas, los pinceles, l
a página en blanco, preguntándote si eres “lo suficientemente bueno” para empezar.
Has estado mirando las pinturas, los pinceles, l
a página en blanco, preguntándote si eres “lo suficientemente bueno” para empezar.
Empieza a hacer arte desde el primer día
Day 1: your frame is empty. Day 21: it’s full.
And you filled it.
Empieza a hacer arte desde el primer día
week 1
week 2
week 3
The first days (1–6) are for letting go. For playing with water and color without pressure. For losing the fear of the brush. For learning how watercolor behaves, because it definitely has a mind of its own, and practicing the 6 basic strokes that are the foundation of almost everything we’ll paint later.
There’s no way to do it wrong here. There’s only one way to
do it.
The second week (7–13) is when you start seeing real results. You paint 7 basic flowers with different variations. You switch from regular paper to real watercolor paper and instantly notice the difference: everything looks cleaner, prettier, more… professional.
You learn to build layers, control water, and add contrast. It’s the week you stop thinking, “This isn’t working,” and start thinking, “Ohhh, now I get how this works.”
The third week (14–21) is the good part. You learn the techniques that make a painting look elevated: fine brush details, white gouache, and touches of gold. You create your own composition, guided, not improvised, and paint your final project from start to finish.
...last day
On the last day, you sign your artwork.
You take a picture with it.
And you decide where you’re going to hang it.
That moment is special. Not because the painting is perfect. But because you finished it.
Because 21 days earlier you didn’t even know how to hold a brush and now you have something in your hands that you made, step by step, stroke by stroke.
Empieza a hacer arte desde el primer día
“I’ve always liked watercolor but never dared to try seriously.”
“I bought materials months ago and they’re still in a drawer.”
“Following random tutorials leaves me more confused than before.”
“I want a project with a beginning and an end. Something I can complete.”
“Sometimes I think that at my age, you don’t learn new things.”
“I never finish the creative projects I start.”
If you’ve seen yourself in at least one of those sentences, this is your place.
And you don’t need experience, or “natural talent,” or anything other than the willingness to try and 21 days.
The talent story is a myth.
What builds a beautiful painting is structure, practice, and someone telling you,
“Now this. Now that.”
Nothing more.
What the experience includes
• 21 daily lessons where each day you know exactly what to practice.
No guessing. No improvising. From your first stroke to signing your final piece.
• 4 essential stroke templates so your hand gains control before painting a single flower. These are the foundations. The ones that make everything else work.
• 7 basic flower templates with variations.
You don’t just copy them: you learn how they’re built so you can later paint them from memory and in your own style.
• 2 composition templates so your final piece isn’t just “placing flowers wherever they fit,” but a balanced composition that looks professional.
• A 21-day calendar with your full journey mapped out. You know where you are, what you’re doing today, and what’s coming tomorrow. That removes anxiety. And removing anxiety gives you space to enjoy.
• A materials list by budget ($15, $35, or $80). You don’t need the most expensive set in the world. With the basics, you can create beautiful things. I give you three options so you can start with what you have.
• A paper size guide for easy framing. So when you finish your artwork, you just choose a frame and get it framed. No cutting. No surprises. No drama.
And also:
• A complete digitization guide. Learn how to scan your painting, clean it digitally, and leave it ready to print.
Your artwork doesn’t live only on paper: it becomes a professional file you can print as many times as you want.
• A guide to turn your art into a product.
Cards, bookmarks, prints. Step by step.
Includes how to upload it to a Print-on-Demand platform in case
one day you feel like selling it. It can happen. And it feels amazing
when it does.
• “Frame-Worthy Artist – Level 1” certificate. Because
completing something deserves to be celebrated.
Period.
Let me tell you something no one says
Most women who write to me don’t say, “I want to learn watercolor.”
They say,
“I’ve always wanted to do something creative but never found the moment.”
And when you dig a little deeper, what’s underneath isn’t a lack of time.
It’s a belief.
The belief that this “isn’t for them.”
That creativity is for talented people.
That at a certain age, you don’t learn new things.
That starting something from scratch at 40, 50, or 60 is ridiculous.
It’s not. It’s one of the most beautiful things you can do for yourself.
Sitting down with a brush, a glass of water, and some watercolors. Playing soft music or enjoying silence, whatever your body asks for. And for a while, not being a mother, or wife, or employee, or entrepreneur.
Just being you. Creating something. Without rushing. Without judgment. With no expectation other than watching color mix with water and letting the magic happen.
That’s what happens in this experience. Yes, you learn watercolor. But you also give yourself something you’ve probably needed for a long time: a space of your own.
What you’ll
have at the end of
21 days
• 6 fundamental strokes mastered.
• 7 flowers painted with variations.
• 2 structured compositions.
• 1 signed final artwork ready to frame.
• 1 professional digital file to print or sell.
And the certainty that yes, you can.
Which, honestly, is the most valuable thing of all.
The price
“$97 one-time payment” or
“3 payments of $37.”
An in-person watercolor class costs between $30 and $60 per hour. Here you get 21 days of guidance, all downloadable materials, templates, digitization and monetization bonuses, and you finish with a real piece.
But above all:
You finish with something you made.
And that has no price. Well, it does.
But it’s much lower than you expect.
Immediate access to the 21 lessons + all resources + bonuses.
Hola soy Tania,
Tu maestra,
Una diseñador gráfico convertida en artista de acuarela y educadora.
He inspirado a miles de mujeres creativas a dar un paso hacia su voz artística, pincelada a pincelada.
He experimentado el miedo a la página en blanco y he luchado por no sentirme... "lo suficientemente buena."
Ahora, enseño desde ese lugar para recordarte que eres creativa y que puedes crear arte del que estés orgullosa.
Preguntas frecuentes
01.
What if I’ve never painted before?
Even better. We start with how to hold the brush and mix colors.
I assume nothing. If you’ve never touched watercolor, this experience is designed for you.
02.
What materials do I need?
I give you a list with 3 options: $15, $35, and $80.
The $15 option works perfectly.
You don’t need to spend a fortune to start.
03.
How much time does it take each day?
Between 20 and 45 minutes depending on the day. Some are quick practice days, others more intense. You decide your pace.
04.
What if I think I don’t have talent?
Perfect, welcome to the club. Watercolor isn’t about talent. It’s about learning how water, pigment, and brush work. That can be learned with guidance and practice. “Talent” is the excuse we’ve been sold, so we don’t try.
05.
Can I go at my own pace or do I have to do one lesson per day?
You get access to everything from Day 1. The 21 days are the recommended guide, but you can go faster or slower. Real life exists. This adapts to it.
06.
Can I really sell my artwork afterward?
The bonus shows you how to turn your artwork into cards, prints, or bookmarks and how to upload it to a Print-on-Demand platform.
I won’t promise you’ll get rich. But the possibility is there, and it’s real.
One last thing
The other day a student sent me a picture of her living room. She had framed her final piece and hung it above the sofa. She wrote:
“Every time someone comes over, they ask where I bought it. And when I tell them I painted it, the look on their face is priceless.”
That. That feeling. That’s what I want you to experience.
You don’t need to be an artist.
You don’t need to have talent.
Your wall is waiting.
But more importantly…
So is the artist you haven’t met yet.
